TRANSMISSION
TWATTED FUCKWANK.
ONE-PERSON SHITGRIND FROM LONG ISLAND.
BLAST BEATS. MICRO-RIFFS. HARSH NOISE. HORROR VOCALS. HARD CUTS.
NO BAND IMAGE. NO FAKE POLISH. NO NEED TO PRETEND THIS IS NORMAL MUSIC.
BLAST BEATS. MICRO-RIFFS. HARSH NOISE. HORROR VOCALS. HARD CUTS.
NO BAND IMAGE. NO FAKE POLISH. NO NEED TO PRETEND THIS IS NORMAL MUSIC.
THIS SITE IS THE DUMPING GROUND FOR TRACKS, ART, RIG NOTES, LIVE SHIT, FAILED TAKES, REHEARSALS, SCANS, AND WHATEVER ELSE SURVIVES.
SHITGRIND
ANTI-MUSIC WITH A SKELETON.
SHITGRIND IS A FIERCE INDEPENDENT, ONE-PERSON DIY MICROGENRE BUILT FROM BRUTAL GRINDCORE, MATHGRIND, HARSH NOISE, AND BRUTAL HORRORCORE.
THE SPEED COMES FROM THE BLASTING. THE MATHGRIND COMES THROUGH ABRUPT COUNTS, MICRO-SECTIONS, STOP-START MOVEMENT, RIFFS THAT GET CUT OFF BEFORE THEY RESOLVE, AND STRUCTURES THAT REFUSE TO SETTLE.
NOISE IS NOT A BACKGROUND EFFECT. IT IS PART OF THE BODY OF THE TRACK. FEEDBACK, STATIC, CLIPPING, DISTORTION, SCRAPES, AND CONTACT-MIC IMPACTS CAN ALL BECOME RHYTHM.
HORRORCORE SUPPLIES THE VOCAL ATTACK AND TRANSGRESSIVE FICTIONAL HORROR: GUTTURALS, SHRIEKS, YELPS, MANIPULATED VOICES, AND OBSCENE HORROR IMAGERY.
THE CHAOS IS CONSTRUCTED. THE ANTI-MUSIC HAS RULES.
THE SPEED COMES FROM THE BLASTING. THE MATHGRIND COMES THROUGH ABRUPT COUNTS, MICRO-SECTIONS, STOP-START MOVEMENT, RIFFS THAT GET CUT OFF BEFORE THEY RESOLVE, AND STRUCTURES THAT REFUSE TO SETTLE.
NOISE IS NOT A BACKGROUND EFFECT. IT IS PART OF THE BODY OF THE TRACK. FEEDBACK, STATIC, CLIPPING, DISTORTION, SCRAPES, AND CONTACT-MIC IMPACTS CAN ALL BECOME RHYTHM.
HORRORCORE SUPPLIES THE VOCAL ATTACK AND TRANSGRESSIVE FICTIONAL HORROR: GUTTURALS, SHRIEKS, YELPS, MANIPULATED VOICES, AND OBSCENE HORROR IMAGERY.
THE CHAOS IS CONSTRUCTED. THE ANTI-MUSIC HAS RULES.
BRUTAL GRINDCOREMATHGRINDHARSH NOISEBRUTAL HORRORCOREONE PERSON
ERGONOMIC CHAOS RIG
CONSTANT SONIC WALL
FEEDBACK / AUTONOMOUS NOISE KEEPS THE ROOM FROM EVER GOING FULLY QUIET.
FEEDBACK / AUTONOMOUS NOISE KEEPS THE ROOM FROM EVER GOING FULLY QUIET.
GUITAR-ON-TOM
GUITAR MOUNTED INTO THE PERCUSSION ZONE SO ONE BODY MOVEMENT CAN CREATE DRUM IMPACT + STRING DAMAGE.
GUITAR MOUNTED INTO THE PERCUSSION ZONE SO ONE BODY MOVEMENT CAN CREATE DRUM IMPACT + STRING DAMAGE.
OVERLAPPING CYMBAL ZONE
CYMBAL / TOM / GUITAR POSITIONED TO LET A SINGLE DOWNWARD STRIKE HIT MULTIPLE SOUND SOURCES.
CYMBAL / TOM / GUITAR POSITIONED TO LET A SINGLE DOWNWARD STRIKE HIT MULTIPLE SOUND SOURCES.
PIEZO WEAPONIZATION
CONTACT MICS INTO DISTORTION CHAINS TURN PHYSICAL HITS INTO ABRASIVE ELECTRICAL ATTACK.
CONTACT MICS INTO DISTORTION CHAINS TURN PHYSICAL HITS INTO ABRASIVE ELECTRICAL ATTACK.
LIVE RULE: THE RIG EXISTS TO MAKE SOLO SPEED PHYSICALLY POSSIBLE, NOT TO LOOK COMPLICATED FOR ITS OWN SAKE.
LIVE / NOISEOWEEN
NOISEOWEEN I
A HALLOWEEN LONG ISLAND NOISE FESTOCTOBER 31, 2026 // THE NOISE BUNKER
TWATTED FUCKWANK // SHITGRIND LIVE
NO FLYER ON THIS SITE. NO ADDRESS DUMP. NO FAKE BANTER. WALK OUT, HIT THE RIG, MAKE THE ROOM UGLY, LEAVE.
ART / VISUAL SHIT
CUT-AND-PASTE COLLAGE, SCANS, ANATOMICAL HORROR, PHOTOCOPY DAMAGE, BLOOD-RED INK, TORN PAPER, BAD PRINT QUALITY ON PURPOSE.
TWITCH ARCHIVE
STREAMS / REHEARSALS / LIVE NOISE / FUCKED-UP TESTS / WHATEVER GETS CAUGHT ON CAMERA.
THE ARCHIVE LIVES ON TWITCH.
OPEN TWITCH ARCHIVECONTACT / EXTERNAL
CURRENT CONTACT ADDRESS / ACCOUNTS MAY STILL USE THE OLD MC FAILiURE HANDLE UNTIL YOU CHANGE THEM. THE PROJECT NAME ON THIS SITE IS NOW TWATTED FUCKWANK.